Beethoven: The Last Three Sonatas

Chandos/CHAN 20362/
Concert Hall, Snape Maltings, Suffolk

Recorded August 2025

‘It has taken many years for me to perceive the last three sonatas by Beethoven as the evolving journey I now feel them to be. A combination of wariness of Op. 109 and overawe of Op. 111 kept me solely concentrated on Op. 110, which I can hardly regret. Nor do I regret thereby coming late in life to Opp. 109 and 111. Having come to see the shortcomings of my perception as surmountable, I found that the joys and riches of these wonderful works presented themselves with much more vivid colours than had I tussled with them whilst I was tussling with myself. The case was, incidentally, similar with the “Diabelli” Variations, Op. 120, which I finally approached and intention, and unadulterated joy. Now it would be hard for me to play any of the last three sonatas alone, so potent is the journey from first to last. And how privileged my hands feel, having wondered and wandered in the heavenly heights of the last pages of Op. 111, to travel down the keyboard and bring this astonishing last sonata, and indeed the whole body of thirty-two sonatas, to a close, with a quiet chord of C major – no long note value, no fermata. Just silence’

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Beethoven: Piano Sonata No. 30 in E major, Op. 109

I.   Vivace ma non troppo, sempre legato – Adagio espressivo
II.   Prestissimo
III.  Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo

Beethoven Piano Sonata No. 31 in A flat major, Op. 110
I.  Moderato cantabile molto espressivo
II.  Allegro molto
III.  Adagio ma non troppo – Allegro ma non troppo

Beethoven Piano Sonata No. 32 in C minor, Op 111
I.  Maestoso – Allegro con brio ed appassionato
II.   Arietta.  Adagio molto semplice cantabile

Bartók: 4 Dirges, Op. 9a, Sz. 45: No. 1, Adagio

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