Concerts

Merrill Concert Auditorium, Portland25 April 2012, 7.30pm

Haydn, Sonata in E flat major, Hob XVI/52
Schubert, Drei Klavierstucke, D946
Brahms, Theme and variations from String Sextet, Op. 18
Beethoven, Sonata in D minor, Op. 31/2
Chopin, Nocturne in D flat major, Op. 27/2
Chopin, Ballade no 1 in G minor, Op. 23

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Dalton Recital Hall, Kalamazoo30 April 2012, 8pm

Haydn, Sonata in E flat major, Hob XVI/52
Schubert, Drei Klavierstucke, D946
Brahms, Theme and variations from String Sextet, Op. 18
Beethoven, Sonata in D minor, Op. 31/2
Chopin, Nocturne in D flat major, Op. 27/2
Chopin, Ballade no 1 in G minor, Op. 23

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St James’ Church, Chipping Campden12 May 2012, 7.30pm

Haydn, Sonata in E flat major, Hob XVI/52 

Beethoven, Sonata in D minor. Op. 31/2 (Tempest) 

Brahms, Theme and Variations from String Sextet, Op. 18 (transcribed by Brahms specially for Clara Schumann in 1860)
Schumann, Fantasiestucke, Op. 12

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St James’ Church, Chipping Campden15 May 2012, 7.30pm

Mozart, Piano Concerto No 21 in C major

with the Chipping Campden Orchestra
Tom Hull, conductor

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St James’ Church, Chipping Campden17 May 2012, 7.30pm

Mozart, Ch’io mi scordi di te

with the Chipping Campden Festival Academy Orchestra
Kate Royal, soprano

Tom Hull, conductor

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The Apex, Bury St. Edmunds19 May 2012

Haydn, Sonata in E flat major, Hob XVI/52 

Beethoven, Sonata in D minor. Op. 31/2 (Tempest) 

Brahms, Theme and Variations from String Sextet, Op. 18 (transcribed by Brahms specially for Clara Schumann in 1860)
Schumann, Fantasiestucke, Op. 12

 

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Angelika-Kauffmann-Saal, Schwarzenberg, Austria17 June 2012, 4pm

Schubert, Allegretto in C minor, D915
Impromptus, D899
11 Ecossaises, D781
Sonata in D major, D850

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Avery Fisher Hall, Lincoln Center, New York11 July 2012, 7.30pm

Respighi, Feste Romane
Ravel, Piano Concerto in G major
Adams, City Noir

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BBC Proms, Albert Hall, London16 July 2012, 7.30pm

Respighi, Feste Romane
Ravel, Piano Concerto in G major
Adams, City Noir

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…a rare ability to negotiate the composer's change of moods between flippancy and tragedy, managing such delicacy in differentiating shades and tones within individual phrases. It was playing of the greatest intelligence and musical integrity… International audiences have woken up to a rare and understated British talent. Long may her moment in the sun last.In praise of… Imogen Cooper, The Guardian, 11 December 2009